Postgraduate

MA Contemporary Crafts

  • Duration

    15 months

  • Cost

    £7,500

cat mask made of natural fibres, created by Ciara Hinchley

Embark on a transformative journey in contemporary craft and design. Our master’s programme seamlessly blends theory and practice, equipping you with the skills for an authentic and sustainable craft practice.

Overview


This programme integrates theory with practice, providing you with the skills necessary for an authentic and sustainable practice. 

You will develop a comprehensive understanding of practice-based research methodologies, delve deeply into creative processes and design methods to enhance your craft, and learn how to effectively present your outcomes to diverse, discerning audiences. Alongside this, you'll gain essential business knowledge to ensure your practice remains relevant and viable after graduation.

What our students do...

How you will learn


Our programme is designed for postgraduates to achieve their creative goals through project-led, studio-based modules, with close supervision and individual tutorials in a supportive environment.

Join a vibrant community of like-minded postgraduate students and capitalise on the extensive resources of our art school. This collaborative environment fosters professional growth and broadens your perspectives through peer learning.

Within a supportive studio culture, you will enjoy an individual studio space and benefit from access to workshops where you can bring your innovative ideas to life. This setting is conducive to refining your craft and honing your skills.

Engage in stimulating lectures, seminars, and journal discussions focused on contemporary craft theory. These sessions will help you identify the underlying discourses in your practice, ensuring that your work is grounded in a well-articulated theoretical framework.

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Course modules

This module serves as your introduction to studying at the master’s level. Through a series of seminars and workshops, you will explore how to identify and mobilize ideas within craft practice. You will also learn and apply research methods essential for critically analysing images, objects, and texts related to craft. All activities and tasks are designed to help you clarify your study direction. The module culminates in a written MA research proposal, where you will contextualize your project, articulate your research aims and objectives, and outline your scheme of work.

Meet the team

Workshops & Resources

Individual studio space

You have your own studio space; where ideas are made real and lasting connections are made. Filling its walls compliments reflective book work, driving the design process forward; current thinking made visible through drawn and made tests. Studio culture is essential to the success of your design and make projects.

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Queens 3D

Queens 3D Workshop

In the Queens workshop, you can explore and experiment with various materials and processes in a well-equipped space. The facilities include small metals, wood, cold casting, 3D printing, and MDF/Plywood laser cutting, as well as welders and jewellers' benches. Techniques you can learn include woodturning, steam bending, resin and Jesmonite casting, various welding processes, 3D printing, vinyl, and veneering. Skilled Technical Demonstrators support your learning, ensuring a comprehensive experience.

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Queens alt

Zones in the Queens 3D workshop

The Queens workshop is divided into four zones: Metals (jewellery, silversmithing, machining, welding, fabrication), Woodwork (steam bending, lamination, woodturning), Cold Casting (silicone mold making, jesmonite, resin), and Digital Fabrication (scanning, laser cutting, 3D printing).

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Small Metals

The Small Metals workshop has fully equipped communal and individual workspaces to practice your bench skills. The workshop is equipped for a variety of specialist processes and has two larger silversmithing hearths. The walls are adorned with process samples for inspiration, and the space is overseen by highly skilled Technical Demonstrators.

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Textiles

Our textiles workshops provide an open and accessible space to explore print, dye, weave, knit, and mixed media surface design techniques. Focusing on sustainability and innovation, you’ll combine methods from across various disciplines, pushing your creative boundaries throughout your degree. The technical support, along with academic and industry guidance, encourages you to develop an original, innovative design practice.

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Ceramics & Glass

The Ceramics and Glass workshop offers an opportunity to explore the tactile nature of clay and the artistry of glass cutting, fusing and slumping. You can develop skills in slab building, slip casting, and throwing, either for conceptual art or commercial projects. Technical demonstrators are available to guide you through all processes

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Glazing & Firing

The glaze room lets you explore glaze alchemy, from mixing recipes to applying them with dipping and spraying. With 10 kilns, including a glass kiln for fusing and slumping, achieve stunning results in your ceramic and glass projects.

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Pllaster and slip casting space

The plaster and slip casting space facilitates the creation of plaster forms, mould making, and slip casting using earthenware and porcelain for small-scale batch production. Technical demonstrators are available to guide you through each process, ensuring you develop the necessary skills to achieve successful ceramic projects with precision and creativity.

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Print

The printmaking workshop offers you a huge range of print possibilities, including lino cutting, woodblock, letterpress, dry point, collagraph, etching, lithography, and screen printing. Use our 180-year-old Albion press and vintage wooden and metal type collection.

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Library

A dedicated art and design library carefully curated by knowledgeable librarians who will support you to access the materials in the collection. Includes books and magazines from a comprehensive selection of creative disciplines, critical & cultural theory and specialist journals. Plus, study spaces and IT provision. A college hub and key workshop area.

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Digital Design

Digital Design and Making is embedded into both curriculum and your practice. Offering the ability to test possibilities, accelerate iterations and resolve outcomes efficiently. The use of digital tools allows makers to visualise, prototype and refine project work across a range of materials and processes in additive and subtractive manufacturing.

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Digital Skills Center

Digital Skills Centre

Opened in 2024 our Digital Skills Centre is an alternative space to the Graphic and Media Design Studios to craft your designs. Kitted out with new Macs and PCs, the area is staffed by Digital Demonstrators who also run weekly intro and How To classes on design software.

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Photography

Our photography studios and darkroom facilities offer extensive opportunities to gain hands-on experience with both digital and traditional techniques. You will acquire invaluable skills ensuring you take superb photos of your creative process and final outcomes. Work alongside professional photographers and technical specialists to get outstanding images of your work.

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Professional Development


Our postgraduate students often establish themselves as sole traders or creative professionals with diverse portfolio careers, navigating the dynamic landscape of the creative arts. By fostering both individual creativity and professional development, this course prepares you to make a meaningful impact in the arts, equipping you with the tools to thrive in various contexts.

Exhibiting your work and creating networking opportunities with galleries and makers, the programme provides a strong foundation for pursuing a PhD and opens up numerous opportunities within the creative arts sector. Graduates frequently find fulfilling roles in consultancy, community arts, teaching, and artist residencies, contributing to a dynamic and diverse creative community. This comprehensive approach ensures you are well-prepared to engage with and contribute to the ever-evolving field of the arts.

What our students say

The creative journey on which the MA has lead me has transformed my creative practice. Whilst solidifying pre-existing threads of thought and value, it has also been a time of exposure, expansion and discovery. I have gained new technical skills, advancing into silversmithing as well as jewellery, and have deepened critical thinking around my craft discourse. This MA has made me a more authentic maker, a more effective teacher and more critically engaged artist.

Nicola Lillie – 2024 Graduate

My MA Contemporary Crafts experience has had a huge impact on how I now view creative practice, my creative process and my critical thinking. I am conscious of the responsibility that creative makers have in what they contribute to the world. I now draw upon my values that are imperative to my creative craft practice. I look for the joy in what I create, the authenticity and the possibility to entice positive social and cultural change

Janina Bacchetta

As someone who had never formally studied art before embarking on the MA in Contemporary Crafts, I can thoroughly recommend the course. I found the MA interesting, extremely challenging but, with the support and guidance of the course tutors, ultimately rewarding. It opened my eyes to a whole new world and has inspired me to take on the challenge of a PhD in Design.

Kathryn Parker

I found the MA course, powerful and challenging, relevant and personal - an invitation to dig deep and discover a world of new possibilities - a beautifully designed course for lovers of all crafts. I loved it!

Linzi Morgan Whitting

The MA has given me an extraordinary group of fellow makers to discuss, explore and learn alongside with time devoted to researching many aspects of contemporary craft. An academic rigor now underpins my practice and ensures authenticity in my making, through concept, materiality and into process.

Jenny Hodgeman

Applying to HCA

Applicants are expected to possess a solid understanding of their chosen discipline, demonstrating the ability to engage in research at the Master’s level. While preference will be given to graduates with good honours degrees, the programme also welcomes exceptional candidates from non-academic backgrounds who are looking to reposition their practice. These individuals may qualify based on their unique experiences and perspectives.

The application process includes a short proposal that should clearly outline the applicant’s reasons for applying to the programme, reflecting their motivations and aspirations. Additionally, a portfolio showcasing their current practice is required, as this will serve as the basis for discussion during the interview process.

Overall, the programme seeks candidates who are not only academically qualified but also passionate about their field and eager to contribute to the academic community.

Reflective Critical Reports

Ali Robertson

Ali Robertson / From Deterioration to Acceptance: Material Metaphors in the Reframing of Progressive Adult-Onset Hearing Loss

ABSTRACT: The aim of this project is to explore and evoke the personal feelings of loss associated with my adult-onset progressive hearing loss and demonstrate a reframing of these feelings in a more positive light. > Read a Reflective Critical Report from one of our recent MA Contemporary Crafts student.

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Nicola Lillie / Thresholds

ABSTRACT: ‘Thresholds’ is the culmination of a body of research into utilising craft as material metaphor for human lived experience; metaphors bring expanded understanding. Embodied material engagement affords dialogue with oneself, and perhaps others, to enlighten, connect and grow through the discovery of commonalities.

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Jenny Hodgeman / Topography of Care and Kindness: Crafting Spoons

ABSTRACT: The eight spoons that make up this collection are informed and inspired by the discourse of care and kindness. Using silver, enamelled copper and bone china slip, each spoon addresses a different aspect or relationship with social, political or personal care. These make visual the values I see within materials, processes and ideas depicted by and held within the made objects and to use the making as a form of the expression of care and kindness in itself.

Read more

Apply now

You can apply for this course at any point in the year. To do so, simply start your application below and and email the completed form to registry@hca.ac.uk. If you would like to set up an informal chat with the course leader Del Done MBE, you can contact her directly at d.done@hca.ac.uk.

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Term Dates (24-25)

Term Enrolment
Dates Thursday 26 September 2024 at 9.30am
Term Term 1
Dates Monday 23 September 2024 - Friday 13 December 2024
Term Term 2
Dates Tuesday 7 January 2025 - Friday 11 April 2025
Term Term 3
Dates Monday 28 April 2025 - Friday 27 June 2025
Term Term 4
Dates Monday 22 September 2025 - Friday 28 November 2025

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How to apply

Everything you need to know about applying to HCA - and starting the next stage of your journey as an artist

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Book an open day

Chat to students. Tour the campus. Drop in on some free workshops. Our Open Days are a great way to get a feel for what makes HCA special.

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